![]() ![]() Earlier models were much more robust than today's. Even the smallest changes to height, thickness, shape or position on the belly influence the sound. The bridge transmits the vibrations of the strings to the belly via two small feet. The pressure of the strings presses it against the belly. The bridge is positioned between the F-holes and is made of maple, 30 mm high and 40 mm wide. The E string is pulled a little tighter than the others in order to achieve the brilliance required of it. So that the tension of the four strings is more or less equal, which is very important for the projection of the sound, strings with different diameters or gauges are used. ![]() The D and A strings are made either of gut or plastic and are aluminum-wound, the E string is normally made of steel. The lowest string is the G string which is usually made of gut and wound with silver or copper wire. The strings are parallel to the fingerboard. Older fingerboards, from around 1700, were only about 20 cm long and therefore rather shorter than today's 27 cm. The fingerboard is solid ebony, joined to the neck and projecting over the belly. The neck is firmly dovetailed with the top block and is about 13 cm long. The head and neck are carved from a single piece of maple. There has been a lot of discussion regarding the effect that varnishing the body has on the sound what is certain is that it offers the body protection against changes in temperature and humidity. The edges of the belly and back are inlaid with pearwood or ebony to strengthen the joins this inlay is called purfling. The body is given added stability by the top block, lower block and four corner blocks inside. The curved ribs join the belly to the back and consist of the upper bout, middle bout and lower bout. The back is made in a similar way, either from one or two pieces of maple. The F-holes that are cut into the belly help it to vibrate near the bridge and improve the projection of sound from the body's interior. This flat piece of wood is planed to a thickness of about 3 mm in the middle and progessively thinner toward the edges to form a vault. These are then glued together so that the older wood - where the rings are closer together - are in the middle. To make the belly a wedge is cut out of a piece of spruce and split down the middle to form two symmetrical parts. ![]() Spruce is used for the belly, maple for the back and ribs. The body is made of slow-growing wood of even density, since this type of wood offers the best resonance. ![]() The strings are stretched above and parallel to the fingerboard. The length of the fingerboard determines how far the range extends upward. The fingerboard extends beyond the neck over the body and is important for intonation. The pegs, which are used to adjust the tension of the strings, are found in the four peg holes in the pegbox: the instrument is tuned by turning the pegs. The head, with the pegbox and scroll, is a continuation of the neck. The circumference is the same along its entire length which makes it easier for the left hand to slide up and down to different positions). The neck plays an important role in playing technique and is about 13 cm long and angled slightly back from the body. The body not only gives the violin its characteristic appearance but also determines the sound quality as it is the instrument's resonator. It consists of three main parts, the body, the neck and the head, which are composed of a total of 80 separate components. The violin is the soprano instrument of the violin family (violin, viola, cello). Mute: Comb-shaped device made of metal or maple which damps the vibration of the bridge.Bow: Length: 74 cm rod, point, adjustable frog.Material: gut, silver, copper, aluminum, steel, nylon. Strings: Length of the vibrating strings: 32.8 cm, 4 strings, tuned to intervals of a fifth: G3, D4, A4, E5.35.5 cm, box form Belly with F-shaped sound holes, back, ribs. Head: Scroll, pegbox, 4 side-mounted pegs.Classification: Chordophone, necked lute, stringed instrument. ![]()
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